Luti-Kriss quick facts
Past members
- Chris Day guitar · 1997–2001
- Daniel Davison drums, percussion · 1997–2001, 2010–2013
- Josh Doolittle bass · 2000–2001
- Josh Scogin vocals · 1997–2001
- Josh Swofford bass · 1997–2000
- Mick Bailey turntables, sampling · 1997–2001
- Scottie Henry guitar · 1997–2001
Known members status unresolved
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Associated acts
Norma Jean
Contact WTD about Luti-Kriss
Latest release
Latest release
Throwing Myself
Throwing Myself remains part of the band’s recorded catalogue. Through Tooth & Nail (TNN).
Artist profile
Luti-Kriss stands as the initial incarnation of Norma Jean, a pivotal force in the metalcore landscape. Formed in 1997 in Douglasville, Georgia, a suburb of Atlanta, this band laid the groundwork for a significant trajectory in heavy music. From its inception, Luti-Kriss established itself with an open profession of Jesus, drawing listeners into the realm of Christian heavy music.
The band’s early lineup included vocalist Josh Scoggins, whose distinctive voice and presence would continue to shape the scene. Following his time with Luti-Kriss, Scoggins embarked on further influential projects, notably founding The Chariot and later ’68. These subsequent endeavors cemented his reputation as a dynamic figure in alternative and heavy music, with Luti-Kriss marking his foundational contributions.
Sound and scene
As the precursor to Norma Jean, Luti-Kriss carved out a sound rooted in metalcore. Their approach resonated with audiences seeking heavy, aggressive music infused with spiritual conviction. The band’s “open profession of Jesus” was a defining characteristic, setting them apart within the broader heavy music community and attracting a dedicated following interested in Christian heavy music.
Luti-Kriss actively engaged with the scene of its time, sharing stages with other notable acts. Accounts recall the band touring alongside groups like Living Sacrifice and Dead Poetic, placing them squarely within a vibrant circuit of heavy Christian bands. This touring history underscores their active participation in shaping the early 2000s landscape of alternative Christian metal.
Releases and themes
The band’s catalogue includes the release “Throwing Myself,” which was issued through Tooth & Nail Records. This record represents a key part of their output and showcases their early sound. Another track that garnered attention is “Patiently Philadelphia,” recognized as a significant piece within their work.
Luti-Kriss’s lyrical themes often reflected their “open profession of Jesus,” integrating their faith into the aggressive sonic framework of metalcore. This directness in their message, combined with their heavy instrumentation, offered a distinct voice in the Christian music scene, influencing many who discovered heavy music through their work.
Band Bloodlines
Follow the musicians who connect Luti-Kriss to other bands and projects. Confirmed release appearances are included when reliable source evidence is available.
Chris Day
guitar and 1997–2001
- guitar1997–2001
Also connected to: Norma Jean
Daniel Davison
drums, percussion and 1997–2001, 2010–2013
- drums, percussion1997–2001, 2010–2013
Also connected to: Norma Jean, Underoath
Josh Doolittle
bass and 2000–2001
- bass2000–2001
Also connected to: Norma Jean
Josh Scogin
vocals and 1997–2001
- vocals1997–2001
Also connected to: Norma Jean, The Chariot
Josh Swofford
bass and 1997–2000
- bass1997–2000
Also connected to: Norma Jean
Mick Bailey
turntables, sampling and 1997–2001
- turntables, sampling1997–2001
Also connected to: Norma Jean
Scottie Henry
guitar and 1997–2001
- guitar1997–2001
Also connected to: Norma Jean
One Night Split
Connected through members
References
- Song of the Day: Luti-Kriss – Patiently Philadelphia – Articles – Indie Vision Music – https://www.indievisionmusic.com/articles/song-of-the-day-luti-kriss-patiently-philadelphia/
- Throwing Myself – https://www.discogs.com/release/885209-Luti-Kriss-Throwing-Myself
- Norma Jean (band) – https://en.wikipedia.org/wiki/Norma_Jean_(band)







